Dante DiStefano
Dante Di Stefano has been blessed with every gift a poet needs. He can sustain the long poem with energy and tenderness, mastering lyricism both classical and colloquial; He can turn brutal biography and terrible history into the rarer air of imagination and compassion. What strikes us, with all his work, is a consummate knowledge of the poetry canon; his antecedents would be proud. —Grace Cavalieri
Dante Di Stefano is the author of five poetry collections and a chapbook, including the book-length poem, The Widowing Radiance (Bordighera Press, 2025). His writing has appeared in American Poetry Review, Best American Poetry 2018, Poem-a-Day, Prairie Schooner, The Sewanee Review, The Writer’s Chronicle, and elsewhere. He holds a PhD in English Literature and his poetry has won many awards, including the Auburn Witness Poetry Prize, the Manchester Poetry Prize (UK), the Thayer Fellowship in the Arts, among others. He co-edited the anthology Misrepresented People (NYQ Books, 2018) and lives in Endwell, NY with his wife and two children.
For Marie Howe
When I read your poems
I see the underdark
inside me
& I can hear it singing
like a chainsaw
like an echo from a tomb
with the stone rolled away
like a cracked melody
in the sore throat
of a drowned god
this human truth
that to be alive
is to be
busy
dying
& yet sometimes a poet
comes along
& says:
I am split open
like you
come wither & bend
& break at
the meadow edge
like a crooked branch
in a spoken epic
Oh Marie—
startled vigilance
intricate affection
unrequested astonishment
these are what you hold
in the two hands
of your poems
we die & die & die
& dance in our dying
& music is all we know
of time
& in the midmost thisness
we find ourselves lost
& the only thing I know
about life & poetry
is to invoke your words:
Often,
I’m lonely.
Sometimes
a joy pours
through me
so immense.
Self-Portrait as a Ruth Stone Poem
The poem of the self blooms into a wound,
a barnacle, a carbuncle, a star
that swoons through the crescent moon an eyelash
blown from a fingertip seems to want to
make. The world is made from such semblances.
Such hysterias decode themselves here.
On the point of a rusty safety pin,
John Milton’s fallen hosts are foxtrotting
through the opening decades of a new
millennium. They are making light of
Einstein’s famous theories. All we have is
making light, and dust motes ascending beams,
and the ladybug you see clinging to
the outside of the window of these words.
Poem Written During the First One Hundred Days of the Second Trump Administration After Learning that Scientists have Resurrected the Extinct Dire Wolf
What I require,
of course,
is fire,
a spark to set
the inveterate
trap of the room
of the world ablaze,
and so, to consume
itself anew.
Everything burns
like DNA
arrayed
in the tooth
of a truth
that is gnawing away
at the fray
of too much
Apocalypse.
I eclipse
the need
for seeds
of comfort
in a country
that constantly
cedes its preamble
and amendments
to greed
and other accoutrements
of dishonor,
the deadbolts
and jolts
and slain seraphim
of a battle hymn
hummed in reverse.
I bless,
curse, and address
this creature in me
that howls out
across the sacred tree
of millennia,
to nudge the muzzle
of the cubs
scavenging the dark
in the wreck of us,
to be safe
in the kindling
and kerosene
of a feeling,
to feel time
and death
and sunlight
in my bones,
and to remain
trained by
the wilderness
roaming free
through my right
hemisphere,
and staining red
the incisors
of my dreams,
lain open
in a flower’s throat.
A riot of life blooms from a whale carcass
after a school of makos
tear off its tail & caudal
fin; crabs & hagfish scavenge
its flesh, lemon sharks burrow
through its blubber, microbes course
through the highways of ribcage
& vertebrae, huge writhing
masses of worms emerge from
the ooze beneath its decayed
bulk & submarine currents
burst it into a flurry
of nourishing rot dispersed
throughout the globe’s five oceans.
Meanwhile, we hominids walk
the Earth only half-aware
of the biomes & food chains
we carry in our bones, how
we are all squalled & breaking
apart in a vast dark deep,
feeding into an echo
song that is & is not us,
sea of seething metered in
first to last breath & all those
in between, remora near
the gill of my own brief bright
saying. Reader, this is all
I want to sing you: brittle
star, scotoplane, mantis shrimp,
nudibranch, hairy frogfish,
anemone & giant squid.
Pity the Barefoot Pigeon
Whose feet alight on the unfriendly streets
Unprotected from glass shards & garbage
Whose only moccasin is empty air
Whose talons won’t ascend escalators
Plush inside a Ferragamo loafer
Who will never tread the avenues in
Unlaced Timberlands, whose tiny pair
Of limited-edition Grateful Dead
X Nike SB Dunk Lows in yellow
Will remain mint in the box forever
Whose avian orthopedics are
Unknowable under the auspices
Of this poem, but whose commitment to
Staying unshod in the sunlight is worth
Praising because those of us who allow
Ourselves to walk and fly and land naked
Amidst the news of missile strikes and wars
And bad presidents and alligator
Attacks and conclaves and deportations
Will stay open to the wound happiness
Gouges into the hostile boulevards
Flying flying under our hungry beaks
Ars Poetica: An Incomplete History of My Heart for My Children When They Grow Up
Poem: my throat, a crocus opening—
© Dante DiStefano, all rights reserved.

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