Mary Morris
Mary Morris is the author of three books of poetry: Enter Water, Swimmer (selected by X.J. Kennedy), Dear October (Arizona-New Mexico Book Award), and Late Self-Portraits (Wheelbarrow Book Prize). Lanterns in the Night Market will be released this spring. Her poems have been published in Boulevard, North American Review, Poetry, Poetry Daily, Prairie Schooner, and Rattle. A recipient of the Rita Dove Award, Western Humanities Review Prize, and the National Federation Press Women’s Book Prize, Morris has been invited to read her poems at the Library of Congress, which aired on NPR. Kwame Dawes selected her work for American Life in Poetry from the Poetry Foundation.
Yellowtail
The war was over.
We sutured the wounded,
buried the dead, sat at the bar
with the enemy near the blue
throat of the sea. A sushi chef
slivered salmon into orchids,
etched clouds from oysters,
as they rose snowing pearls.
From shrimp and seaweed
he shaped hummingbirds
that hovered above us.
With the world’s smallest blade
he carved from yellowfin
miniature flanks of horses.
They cantered around our hands.
Szymborska
Some of her books I keep
in the drawer near my bed.
Should I open a hotel
all the night stands will embrace her.
And I would place lavender there
and vials of tears
to invoke dreams of purple fields
in Poland during spring,
and little crosses like warplanes
in their hangars put to rest.
Dear November
It’s the closest we have ever been—
slipping off my jeans, sliding into the shower
with my mother, washing the galaxy
of her back scattered with planets.
Once, she carried me behind that tumor,
emptied her milk into my mouth.
The body remembers what is primal.
I dress and feed her, brush her hair.
Outside, three bronze leaves
suspend from the ash. My mother and I
lie down, fragrant with soap, curled
as embryos. Later we wake
like lovers, our bodies spooned.
All Souls
Under the gold of a Hunter’s Moon,
I run into a large raccoon, ascending
into an ancient piñon.
It’s just like my mother
who died last week at ninety-six
to appear as this—clever, masked,
climbing with her small deft hands.
She loved creatures, the costumes
her children dressed in: one brood
of goblins, a vampire, the baby
sateened into a red-tailed devil.
My mother is here. I need to light fires—
torch yellow beeswax candles, sing
hymns to the moon, offer prayers.
I had never seen this mammal in the desert
but here she is, large-spirited, on a clear
evening, scaling October’s end.
Time to remember auspicious numbers
the faithful departed, our most revered
martyrs—this one, who carried me holy.
Prudent and ravenous for this world
I canonize her Demeter,
ghost, Autumn Spirit.
Missing
Saw my brother in a wolf, in wildflowers
climate change, bobcats, javelina, and praying
mantis, lilac scent, laughter. Saw him howling
himself back onto the sidewalk of his life
before he lay his body in front of a bus, drunk.
I don’t know what risk is really, to be
that bare, that happy with ruin.
The dead won’t give their secrets away.
Occasionally in dreams we receive
a postcard with an unknown stamp
from a place so remote there is no dirt.
Or bees. No grass. Only air and water.
A blue postcard of a boat unmoored
or single oar afloat. On the back, a message
so faint, or a palimpsest, layer upon
layer upon, illegible.
On anniversaries of their departures
they blow kisses in wind from behind
mountains or sing in disguise through
gale or bird. Then silence. Waif thin.
Let the twilight come. Dusk. Its darker
bright, its mission with night hawk, wolves
and great horned owls, its ancient fables
in constellations. Letters to the evening
of missing brothers, children, husbands
gone north, and our own two parents
with their creation stories, us.
Appointment with Dr. Siegel
Across the neurosurgeon’s massive desk
sits a small pot with a brain cactus.
Maybe it’s not funny. I pretend I don’t see it.
He speaks of a ten-hour surgery
as if it storms today, yet tomorrow
we set sail for sunny Grenada.
Sometimes tools resemble weapons.
So I departed that office within
a concrete steel obelisk of a medical spire
in the boom-box of Spanish Harlem
where I met the A train, left with the decision
of whether to be blinded and paralyzed
by an operation which would obliterate
the malformation—or take my chances.
I was a new mother.
My blouse flowered with milk.
© Mary Morris, all rights reserved.
Comments
Karla McDuffie (not verified)
This work is unsettling. But it's direct and tactile and spells out all the fleeting glances of (presumably) her life, which has been quite traumatic, I am guessing. It is encouraging to understand how much she appreciates the beauty and mystery that surrounds these painful moments.
kitt miller (not verified)
These poems, read, re read, and read again.... beyond exquisite. Continue to move me beyond words. I just have to bow my head. Gratitude, Angst, Beauty and Awe.
.....and Mary, this photo of you is just another POEM <3
Anonymous (not verified)
♥️
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