Wing Chi Chan
Above photo, from left to right: Grace Cavalieri, Mrs. Margaret Freeman, Chef Lee, Chan, Ambassador Chas Freeman in 2022.
Wing Chi Chan is a professional musician educated in performing and conducting the western music canon. Chan also is an authority on Chinese tonal music, Chinese history and poetry. When you combine these gifts, there emerges a song never heard before. This poetry is constructed in musical measures not available to the naked eye, but one which lifts the verbiage off the page into vibrational harmonies. Because of our ignorance, as readers in English, we may miss the nuances but can still enjoy the originality, passion, and genius in these new never-done-before poetic constructions. Integrity and heart are the binding melodies. —Grace Cavalieri
Wing-Chi Chan 陳詠智
Being a Chair Professor for Western Classics at Capital Normal University in Beijing and a Visiting Scholar at Yale in 2018, and a University Sinologist appointed by the Beijing Language University in 2025, Wing-Chi Chan is a Washington-based poet cum musician and an arts practitioner for the global communities. Chan’s poems have been broadcasted and recorded under The Poet & The Poem at the US Library of Congress in 2015 and been listed/documented under A Splendid Wake-up Blog of the Gelman Library at the George Washington University, a Greater Washington area project that documents poets and poetry from 1900 to present.
A NITE RHYMING FOR THE NANKING MASSACRE VICTIMS at the Arts Club of Washington in 2017; https://www.youtube.com/watch?v=1zwCipGSjgU&fOpens in a new windoweature=youtu.be
Over the years, Chan has been serving as presenter/host/producer for many cultural events in Washington, including the Voice As Bridge at Washington Arts Club & George Mason University.
POETRY EXTRAVANGAZA/UNA POESÍA EN ECO POETRY IN ECHO at the George Washington University in 2016 and at The Writer’s Center of Bethesda in 2022.
GLOBAL POETRY CONTEST IN COMMEMORATION OF THE 1937 NANKING MASSACRE that was officially recognized by US Representative Grace Meng in 2018.
A wide range of Chan’s poetry has been published, including MASS FOR NANKING’S 1937:
Synchronizing Musics and Tonal Rhyming onto Poetry, Washington: The New Academia Publishing, 2016; https://newacademhttps://www.newacademia.com/books/mass-for-nankings-1937-synchronizing-musics-and-tonal-rhyming-onto-poetry/ia.com/books/mass-for-nankings-1937-synchronizing-music...
A PATHÉTIQUE SONATA FOR THE CAGED CHILDREN: Appassionata Fugue Melodies Ink-Brushed Under Calligraphic Art, Washington: The New Academia Publishing, 2020; https://newacademia.com/books/a-pathetique-sonata-for-the-caged-https://www.newacademia.com/books/a-pathetique-sonata-for-the-caged-children-appassionata-fugue-melodies-ink-brushed-under-calligraphic-art/children... [Both book being rated for 5.0 out of 5 stars Groundbreaking Masterpiece by literary critic Char Jones, #2 Reader/#8 Top Reviewer on Goodreads/Achiever of NetGalley’s 500 Reviews’ highest level of distinction at Amazon]
A Duo Concerto For Moon & Noon, under 2015 MiPOesias of Washington; poems under the Federal Poets, 2018 -2021. Chan’s Chinese poems and articles have been published under the Asian Research Center of the University of Hong Kong, Hong Kong Literature, Hong Kong Economic Journal, Mingpao Monthly, Master-Insight.com, Beijing CCT Press, Guangzhou Arts Institue in China and various Chinese media. Chan has lectured/ presented academic papers on music and culture at worldwide higher education institutions: Yale, Columbia, George Washington, American, Kingston Polytechnic University in London, Tenri University in Japan, University of Hong Kong, University of the District of Columbia, US Library of Congress, Capital Normal University in Beijing, to name a few.
During Chan’s tenure as Development Director for the Washington, DC Youth Symphony Orchestra, he raised millions of dollars to operate the Orchestra’s international tours to Moscow, Leningrad, Kalinin, Seoul, Pusan, Paris, Lyon, Amsterdam, Utrecht, Barcelona, Qingdao, Jinan, Beijing, Shanghai, Hong Kong, Taipei, Kaohsiung and Tainan; his artistic/cultural advisory spectrum has been crossing over the ocean, including serving as consultant for the National Endowment for the Arts, New Jersey and South Carolina Arts Commissions, D.C. Mayor’s Office, and China National Symphony; D.C. Commissioner for National & Communities Services; Project Director for Meet The Composer New Residencies Program; Vice President for Washington Symphony Orchestra’s Board; commentator for Canada’s Fairchild Radio and Voice of America; organizer for Asia Pacific Life Insurance Underwriters Association Conference and Aetna Sales Congress; presenter for Macau’s Youth Symphony Orchestra’s 2013 Concert Tour to the U.S.; external examiner for Master’s thesis at New York University. In 2007, Chan, as choral conductor, took a team of twelve American vocalists to participate in a Memorial Concert for the 70th Anniversary of Nanking Massacre, which included Thomas Young, one of the three best known American tenors.
ODE TO THE CAPITOL: TEA SONATA ECHOED
BY A CHOIR OF CICADA
Dedicated to Maryland Poet Laureate Grace Cavalieri & Her Poetry Legion
Touchy mist
Lakeside moon
Thy trovatori’s soul
May Statue of da Liberty
Mingling at our Times Square
Notes by Dvořák on Hudson River
Spring tunes up thy curve of Annapolis
Dip a tone lipped by a Mall’s choir of cicada
Modulate wanderer’s melody to that bi-tonal center
Day to night, la NJ Turnpike landing for transportation
Where could those Baltimorean gulls and herons go to hide
By autumn, piece by piece woven over Virginia hill-frosty leaves
Morning light snaps the Pennsylvania maple, atop a rocky cliff
Orchid perfume steams up amid Chesapeake’s shadowy tide
Town and country, a land of tracking for immigration
Bronze bell at cadence be archaic paideia defender
Sip a cone in echo with the Capitol’s sonata
Mirror fluttering firebugs’ phosphorus
Generations of the diverse clever
Human praised for being fair
Supersede multi misery
A learnt spirit holds
Your lotus tune
Kissy breeze
Morning light snaps the Pennsylvania maple, atop a rocky cliff
Orchid perfume steams up amid the Chesapeake’s shadowy tide
Town and country, vast land of tracking for immigration
At cadence, bronze bell be archaic paideia defender
Sip a cone in echo with Capitol’s tea sonata
Mirror fluttering firebugs’ phosphorus
Generations of multi-diverse clever
Human praised for being so fair
Supersede the aging misery
Where learnt spirit holds
On your lotus tune
A kissy breeze
A touchy mist
My lakeside moon
Whoever trovatori’s soul
May Statue of da Liberty
Mingling at our Times Square
Notes by Dvořák upon Hudson River
Spring tunes up long curve of Annapolis
Dip a tone lipped by a Mall’s choir of cicada
Modulate wanderer’s melody to that bi-tonal center
Day to night, long NJ Turnpike landing for transportation
Where could those Baltimorean gulls and herons rush to hide
By autumn, piece by piece woven over Virginia hill—frosty leaves
Morning light snaps the Pennsylvania maple, atop a rocky cliff
By autumn/piece by piece woven on Virginia hill/frosty leaves
Where could those Baltimorean gulls, herons go to hide
Orchid perume steams up Chesapeake’s shadowy tide
Day to night, da NJ Turnpike landing for transportation
Town and country, a land of tracking on immigration
Modulate wanderer’s melody to la bi-tonal center
At cadence, bronze bell be one paideia defender
Dip a tone lipped by Mall’s a cappella cicada
Sip a cone in echo with Capitol’s tea sonata
Spring tunes up long curve of Annapolis
Mirror fluttering firebugs’ phosphorus
Notes by Dvořák upon Hudson River
Multi generations of diverse clever
Mingling at mutual Times Square
Human praised for being so fair
May iconic Statue for Liberty
Supersede the aging misery
Immigrant’s trovatori soul
What learnt spirit holds
There’s lakeside moon
Along your lotus tune
And a touchy mist
My kissing breeze
INSPIRED BY MY CHINESE POEM
<蟬韻啖清風> —— 調寄水調歌頭
霜葉立秋織,禪旭抹江楓。
忘機鷗鷺誰匿,疏影暗香茸。
落雁平沙弦剔,流水高山緣覓,塵劫夢懸空。
移調犯商徵,聲煞劍如虹。
荷塘月,明眸奪,適蓮蓬。
郁濃芳茁,入腔蟬韻啖清風。
一嘯騷魂筆絕,幾度銜枚險脫,談笑識荊雄。
劍膽青山骨,笳囀叩蟾宮。
—— 詠智
註:<鷗鷺忘機> / <平沙落雁> / <高山流水> 乃古琴曲;犯調乃移/轉調;煞聲乃終結樂句。
Ode is originally a style of the 16th-century classical Latin verse set to songs, similar to a cantata, addressed to a deity. Remarkably Schiller’s Ode to Joy was used by Beethoven as song text in the final movement of his Ninth Symphony, in voicing an ideal seek of universal brotherhood through joy in 1824.
Grace Cavalieri has been appointed by Maryland Governor Larry Hogan as the Maryland Poet Laureate in 2019. Cavalieri and her “legion” of thousands of poetry fans, over the past four decades, have been connecting with each other through the news media/radio/podcasting/Facebook channels in Washington. That legion of poets portrays a track of multi-generation and multi-culture of immigration originated from different parts of the world. They have been mingling their diverse footpath all over the East Coast of the United States, from New York/New Jersey to Pennsylvania/Delaware, and down to the Greater Washington Metropolitan area.
Trovatori is a genre of the 13th-century Italian monophonic folk songs with dance performed by poet-musicians. Bitonality originally is referred to the simultaneous use of two different keys in different parts of a music
composition; the term bi-tonal center is literary used as a metaphor for treasuring the bilingual/bicultural skills of the new immigrants. Cadence is a musical term referring to a melodic or harmonic formula that concludes, either momentary or permanent, an ending for a section, or a phrase of a music composition.
Paideia is an ancient Greek term in reference to a well-balanced cultivation of mental and physical skills that is comparable to the Confucianism Six Arts: rites (禮), music (樂), archery (射), horse riding (御), calligraphy (書), and mathematics (數); it is culturally envisioned on enhancing an ideal education for liberal arts.
China’s sixty-five pieces of bronze bell-chime set was excavated in 1978, namely theBianzhong of Marquis Yi of Zeng (of 433 B.C.); it reflects the highest level of ancient bronze technology/cultural arts and a sharp application of music theory on the twelve half tones. Except the biggest round shaped one, each of the 64 pieces of leave-shaped bells can sound two different pitches within an interval of either major or minor third, tone-painting an integrated concept of humanity and the value of an orderly ritual.
The National Mall, located near the downtown of the District of Columbia, is usually referred to that vast area of grassland between the United States Capitol and the Lincoln Memorial, posturing like a dragon meridian of the Capital City in terms of feng shui. The Mall encompasses an intellectually enriched landscape of art galleries/cultural programs under the Smithsonian Institution, and various memorials, sculptures and statues; it is generally believed that there has been receiving over 25 million visitors each year. A cappella is a musical term for unaccompanied choral music.
Czech composer Antonín Dvořák (1841-1904) composed his Symphony No. 9, From the New World, in 1893, which was commissioned by the New York Philharmonic, during a time he served as the Music Director at the National Conservatory of Music of America in New York, 1892 – 1895. In praising for the grandeur and social excitement of America under this melting-pot symphony, Dvořák organically weaved with different types of folk melodies that he experienced from such a new world, especially the native American Indian songs and African-American spirituals that he had heard; subsequently the theme from the Second Movement (Largo) was arranged into a spiritual-like song Goin’ Home by Dvořák’s pupil William Arms Fisher, who wrote the lyrics in 1922. Over the past hundred years, this New World Symphony has continuously been praised as the most popular “American orchestral work” at concert halls in the West.
The Hudson River, a river in New York State with a length of 315 miles, flows from north to south primarily through eastern New York. It significantly goes southward through the Hudson Valley to the Upper New York Bay between New York City and Jersey City that provides a political boundary between the states of New Jersey and New York at its southern end.
Numerous landmarks have been built along the Hudson River, including the World Trade Center, George Washington Bridge, Lincoln and Holland Tunnels, and the Ellis and Liberty Islands, reflecting an enriching heritage of the European inhabitants’ exploration in the East Coast and their ensuing settlement, colonization, revolution, urbanization, industrialization, socio-economic and cultural development, as well as a fully developed multiple-point transportation system. Along with that region’s endless infrastructure construction during the twentieth century, Hudson River had always been a hot topic in regard of its confrontation with ecology principles, environmentalism and natural resources management.
The Times Square, stretching from West 42nd to West 47th Streets at the heart of Manhattan in New York City, has been positioned as the icon of a melting pot for the “Big Apple”, especially for its annual count-down gathering for the millions on the New Year’s Eve Ball Drop, and the Macy’s Thanksgiving Day and other historic parades. As the hub of the Broadway Theater District, the Square’s entertainment show business and the correlated servicing industries have been constantly providing job opportunities to waves of new immigrants in forming an indispensable economic infrastructure for a diverse socio-cultural spectrum. Being one of the world’s busiest pedestrian areas, Times Square is also named as one of the world’s most popular tourist attractions, drawing over tens of millions of visitors annually whereas hundreds of thousands of people pass through every day whilst many of them are tourists.
The New Jersey Turnpike (NJTP), one of the most heavily travelled highways in the United States, is a toll road in New Jersey with a total length of 122.40 miles; it is the most important section of the Interstate Highway System close to the coastal line of the East Coast, facilitating necessary access to various cities and ports in New Jersey, Delaware, Pennsylvania, and New York. Annapolis, located on the Chesapeake Bay at the mouth of the Severn River, is the capital city of Maryland. Being surrounded by river, this small, beautiful city is part of the Atlantic Coastal Plain and relatively flat, with the highest point being 50 feet above sea level. Annapolis is also considered as part of the Baltimore–Washington metropolitan area.
Siding with Annapolis, the environmentally well-protected Chesapeake Bay has an extended shoreline of 11,684 miles, extending from Northern Mary- land to the District of Columbia and Southern Virginia, with an exceptionally valuable feature on the fishing industry (mainly for crabs and oysters) and ecology. It also postures like a dragon meridian of the Greater Washington metropolitan area in terms of feng shui.
A FERMATA NOTE FOR GRACE CAVALIERI
Wife of sculptor/mom of 4/In agenda, almight
On Poet/Poem, thousands of rhyming knights
Da brights mingling along la brook for paideia
Across an ocean/at Karma/cheers on starlight
Note: Fermata is a musical symbol on music notation that indicates that the performer may, at his discretion, hold a note, chord or rest for longer than the normal time value.
FLOOD OF CIVILIAN WOMEN AND KIDS’ BLOOD
20 years of trillions for a corruptive hierarchy Then ask you go
No difference with any crime-run monarchy If betray my vote
Escaped warlord filled up millions of cash A devil’s liberation
Left behind unguarded vulnerable flesh Bungled evacuation
Unplanned to let an engine off clutch Put millions at lethal
Flood of civilian women/kids’ blood So shameful dismantle
Being an incompetent commander Are two just jerky dumb
Let every staff silence at rotunda To a globe down a thumb
The majority voted team of you From the Dynasty of Trump
In reality hear what thou fool In reality hear what thou fool
From the Dynasty of Trump The majority voted team of you
To a globe down a thumb Let every staff silence at rotunda
Are two just jerky dumb Being an incompetent commander
So shameful dismantle Flood of civilian women/kids’ blood
Put millions at lethal Unplanned to let an engine off clutch
Bungled evacuation Left behind unguarded vulnerable flesh
A devil’s liberation Escaped warlord filled up millions of cash
If betray my vote No difference with any crime-run monarchy
Then ask you go 20 years of trillions for a corruptive hierarchy
Note: This is an elegy weeping with the civilians of Afghanistan.
MIDGET STALIN NOT A MESSIAH
No food, no drink, weeping
Bear toy aside, no sleeping
Boy fled away/aged eleven
On foot for hours of eleven
Resisting for years of even
Ukrainian girl aged at eight
Running to embrace da big
Flower to her father, no gig
His gun towards a monster
Bullet be la Stalin's greeter
Bugling across every ocean
Reds 1984 is not just fiction
State lockdown not a reason
Quarantine on concentration
Dragon lost a civilian motion
COVID silenced one anthem
Life over there, just condom
Waves of blank white paper
Students had no mask-cover
Never like be a street fighter
For fears of paper dumpster
Voices kept by 1984 camera
One-man-party propaganda
Midget Stalin Not a Messiah
Note: Stalin is hereby portrayed as a trademark for every communist tyranny.
PRAYING ARIRANG
Touched by Samsung’s hand phone
And Kyung Wha Chung’s violin tone
Another Chung’s baton at La Scala
Thy state-of-the-art Hyundai Sonata
Preserving Confucian music of A-Ak
Every note tones a democratic Korea
Unsuk Chin’s symphonies toning afar
Yun’s requiem on Kwangju Massacre
Soul under pen of Laureate Han Kang
Praying arirang/arirang-kamsanhamida
Note: Arirang is the name of a Korea's beloved folk song that conventionally symbolizes the soul of the traditional Korean culture. Kyung Wha Chung (1948--), a Grampphone's artist and Julliard faculty, is one of the topnotch violinist of the twentieth century. Kyung's brother, Myung-whun Chung (1953--) is the first Asian conductor appointed to be the Music Director of La Scala Opera House. Hyundai Sonata has been a popular model of Korean car in the West for decades. A-Ak is classical Korean court music that has been successfully preserved some of the Confucian ritual music genre originated of the Tang-dynasty China. Unsuk Chin (1961--), a Berlin based Korean composer, is a Grawemeyer awardee in 2004 and has won several other prestigious music awards. Isang Yun (1917-1995), was a noted Korean composer who spent most of his life in Germany. In 1981, Yun composed an Exemplum in memoriam Kwangju, a military massacre on the unarmed students and civilian in 1980. Han Kang (1970--), a Korea writer, is the 2024 Nobel Laureate in Literature. Kamsanhamida means thank you in Korean.
A 40-YEAR IMPROMPTU
Notes ink-stroked to thou sunless rhapsody
Blooddrops layered off/on tearless chivalry
Syllables/tones/rhymes/images--touchless
Symphonizing a 40-year impromptu fantasy
Note: So thrilled it was to attend Toyin Spellman-Diaz’s remarkable recital at the Levine Schoolof Music in Washington in 2026. At the intermission, Toyin touchingly introduced her parents AB and Karen Spellman, me and her former classmates Diane and Philip Savard of the DC Youth Orchestra. What a big surprise to me that audience had been clapping for half a minute when Toyin introduced me first, then her parents, and then former classmates. I was extremely grateful for her touching compliments! Toyin devoted to form Imani, a multi-genres wind quintet that was a Grammy awardee; today she is an oboe faculty at the top-notched Curtis Institute of Music.
First photo: At the White House, 2016.
© Wing Chi Chan, all rights reserved

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